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Organ organist

The Twentieth Century

Shortly after the appointment of Dr Henry Walford Davies in 1898 as organist, a minor renovation was undertaken by Frederick Rothwell (1853-1944). Rothwell was a friend of Walford Davies and was responsible for rebuilding many organs to which HWD was connected. At this time, the action was regulated and some of the stops were revoiced: the major tonal change came in the substitution of the Choir Viol for an Echo Dulciana. An adjustable Swell pedal (an invention of Rothwell) was also added.

The Rothwell rebuild in 1910 was extensive. In addition to a substantial amount of new pipework, the console was rebuilt with his patented stop-key control system. Stop-keys placed above each manual replaced the stop-knobs and the pedal stop-tabs were triplicated above each keyboard also, enabling easy access from any manual. Walford Davies was clearly impressed with this innovation which, in his own words, enabled the player ‘to glide from stop-key to stop-key while still playing, without the slightest break in the musical thought and without the slightest turn of the head or any irrelevant muscular effort’.

The following is reproduced from The Organ:

There are critics who think the reeds are too smooth and that some at least of them should have been given more fire; but there is scarcely another organ which can compare with it in its almost infinite variety of soft stop combinations. Moreover, its full power pervades every part of the building without being overwhelming, while its refinement of tone is beyond question. Perhaps the truest thing to say of the Temple instrument is that it has an individuality eminently in keeping with the individuality of the Temple services, as well as with its own long history.

This organ was destroyed in May 1941. In 1954, an organ by Harrison & Harrison ltd. was installed in the church. Details of this organ can be found in the next chapter 'from the flames'.

The 1910 Specfication:

 
GREAT ORGAN, CC to G.
 
Double Open Diapason 16 H
Open Diapason III (large) 8 A
Open Diapason II 8 E
Open Diapason I (small) 8 H
Stopped Diapason 8 A
Wald Flute 8 H
Principal 4 A
Harmonic Flute 4 H
Nason 4 A
Twelfth 2 A
Fifteenth 2 A
Mixture III A
Double Trumpet 16 Ah
Horn 8 H
Trumpet 8 H
Clarion 4 H
 
Swell to Great Choir to GreatChoir suboctave to Great Solo to Great
 
 
SWELL ORGAN, CC to G.
 
Bourdon 16 AD
Open Diapason II 8 H
Open Diapason I 8 BE
Rohr Gedact 8 AB
Salicional 8 F
Gamba 8 H
Voix Céleste 8 F
Principal 4 BD
Rohr Flute 4 A
Fifteenth 2 A
Mixture III BDH
Contra Fagotto 16 H
Cornopean 8 BD
Horn 8 H
Oboe 8 H
Clarinet 8 F
Clarion 4 H
 
Swell superoctave
Solo to Swell
 
 
CHOIR ORGAN (enclosed), CC to G.
 
Lieblich Bourdon 16 E
Open Diapason 8 H
Dulciana 8 C
Echo Dulciana 8 H
Lieblich Gedact 8 H
Flauto Traverso 8 E
Spitz Flöte 8 A
Gemshorn 8 A
Lieblich Flöte 4 E
Piccolo 2 H
Orchestral Oboe 8 H
Bassett Horn 8 CD
 
Swell to Choir
 
 
SOLO ORGAN, CC to G.
 
Harmonic Flute 8 F
Harmonic Flute 4 F
Orchestral Trumpet 8 H
Tuba 8 FH
 
 
 
PEDAL ORGAN, CCC to F.
 
Sub Bass 32 D
Major Bass 16 DF
Open Bass 16 DG
Open Diapason (metal) 16 F
Stopped Bass 16 D
Violone 16 E
Quint 10 F
Bass Flute (from Quint) 8 DH
Violoncello 8 C
Trombone 16 H
Contra Oboe 16 H
 
Solo to Pedal (mechanical) Choir to Pedal
Swell to Pedal (mechanical) Great to Pedal Octave Pedal
 
 
ACCESSORIES
 
5 combinations (0 1 2 3 4) to Swell, Solo & Choir 5 combinations (0 1 2 3 4) to Great & Pedal
*5 pedal combinations to Swell & Great/Pedal 4 pedal combinations on the whole organ
1 pedal ("silent") which shuts in all stops 2 tremulants: swell & choir
(*not duplicating thumb combinations) 2 Rothwell patented swell pedals
A Father Smith E Schulze
B John Byfield F Forster & Andrews
C J.C. Bishop G Norman & Beard
D Robson H Rothwell


 
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