REVIEW: Temple Winter Festival 2017, Gesualdo Six

Claire Seymour, Opera Today

Gesualdo Six

‘Gaudete, gaudete!’ – Rejoice, rejoice! – was certainly the underlying spirit of this lunchtime concert at Temple Church, part of the 5th Temple Winter Festival. Whether it was vigorous joy or peaceful contemplation, the Gesualdo Six communicate a reassuring and affirmative celebration of Christ’s birth in a concert which fused medieval and modern concerns, illuminating surprising affinities. 

Startling us from our pre-concert chatter, the six singers, led by musical director Owain Park, commenced Brian Kay’s arrangement of the traditional carol at the east end of this glorious late 12th-century church, which was built by the Knights Templar. Then, leaving behind the impressive stained glass of the east windows, they processed through the rectangular chancel, resting in the pointed arch which connects Gothic and Norman parts of the church. The rhythmic tugs and sways of Gaudate were initially complemented by a virile timbre, though subsequent verses offered calmer contrast, before baritone Michael Craddock launched into his solo verse with a confident swagger worthy of a Chaucerian story-teller. A unison clarion rang the piece to a close.

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